Dean DeLeo’s “PRETTY PENNY” takes another radical turn in style with Eastern-flavored acoustic instruments and various hand percussion. “STILL REMAINS” has an almost outlaw country (or at least Southern-fried rock) approach with twangy guitar layers and more very good, moody vocals. Weiland’s vocals are also top notch and potent throughout, as he delivers the lyrics that deal with the lack of honesty in hiding his addiction to heroin. The much too short acoustic intro by Robert DeLeo breaks into the finest of riffing, which alternates between the layered blues rock and twangy overdub of the interludes and the funky, crunchy riffs of the verses. Perhaps the best song ever composed by Stone Temple Pilots, “INTERSTATE LOVE SONG” leaves an indelible sonic impression on the listener and the succinct arrangement ferments a desire for more. During the middle section, this song moves to a pure acoustic folk arrangement with duet vocals before building back to a hard rock format with a screeching guitar lead credited to Paul Leary of the band Butthole Surfers. This track starts with a unique, backwards-masked riff with interludes by complex, rolling drums before it works its way towards a more normal rock arrangement. Kretz is particularly impressive with drums and percussion throughout “LOUNGE FLY”. The song verse’s syncopated riff in non-standard timing is grounded by the steady 4/4 beat of drummer Eric Kretz, which builds a rhythmic tension that is released in the chorus. Released as a single, the song reached the top of the Billboard Mainstream Rock Tracks charts. “VASOLINE” is less patient, with a pure rudimental riff by Robert DeLeo that at once contrasts and compliments Weiland’s melodic vocals. upon its release.ĭominated by dual guitar riffs of DeLeo brothers, “MEATPLOW” is a slow rocker that strategically bends flat in overall tone, starting the album with a methodical edge which slowly churns towards the desired vibe. Production of the album was completed in less than a month, and Purple was greeted with great fanfare, debuting at number one in the U.S.
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Brothers Dean DeLeo and Robert DeLeo nearly equally shared the musical compositions, with Weiland later adding the melodies and lyrics. Producer Brendan O’Brien was again brought on to strike the sonic balance of the raw compositions written by the band.
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Still, by the time the group returned to the studio to record this second album, they were determined to make their mark of distinction on the rock world. However, these critical reviews were in sharp contrast to popular opinion, as illustrated in one Rolling Stone magazine poll where the band was simultaneously voted “Best New Band” by the magazine’s readers and “Worst New Band” by its music critics. SUBSCRIBE AND ENJOY AT STPLEGACY OFFICIAL YOUTUBE CHANNELĪfter the release of Core in September of 1992, the group received some negative reviews blasting them as “rip-offs” of more established contemporaries like Alice In Chains, Pearl Jam, and Nirvana.